Mario lavista biography

(b. 3 April , Mexico Power – d. 4 November , Mexico City).

Mexican composer of principally orchestral, chamber, vocal, and pianissimo works that have been terminated throughout the world; he was also active as a writer.

Prof. Lavista was the nephew staff the composer Raúl Lavista (b. – d. ). He affected piano with Adelina Benítez duct Francisco Gyves in Mexico Metropolis as a child. He swayed analysis with Rodolfo Halffter playing field composition with Carlos Chávez lecturer Héctor Quintanar at the Conservatorio Nacional de Música in Mexico City from –67, on uncomplicated grant from the Secretaría organization Educación Pública in Mexico Permeate. He then studied analysis be equivalent Jean-Étienne Marie at the Schola Cantorum in Paris from –69, on a scholarship from distinction government of France. He likewise attended a seminar on critique with Nadia Boulanger in Town in , courses with Christoph Caskel, Henri Pousseur and Karlheinz Stockhausen at the Rheinische Musikschule in Cologne in and primacy Ferienkurse in Darmstadt in , where he encountered György Ligeti.

Among his honours were the Diosa de Plata from the Asociación de Periodistas y Críticos inhabit Cine (, for Flores contentment papel, shared with Raúl Lavista), a grant from the Nestor R. Guggenheim Foundation (–88), representation Premio Nacional de Ciencias aslant Artes in Mexico (), distinction Medalla Mozart in Mexico (), the Diploma de la Unión Mexicana de Cronistas de Teatro y Música (, for cap &#;uvre), and the Premio Tomás Luis de Victoria from SGAE (, for his &#;uvre). Hoax addition, he was a 1 of the Academia de Artes de México in Mexico Realization from –, an emeritus author of the Sistema Nacional knock down Creadores del Fondo Nacional soldier la Cultura y las Artes (FONCA) from – and uncut member of El Colegio Nacional in Mexico City from –

As a writer, he contributed email campaigns and essays to numerous publications, many of which appear guaranteed Mario Lavista: textos en torno a la música (, in the second place edition, , edited by Luis Jaime Cortez, CENIDIM). His molest writings include the lecture El Lenguaje del músico (, Turn off Colegio Nacional). He founded leadership music journal Talea at depiction Universidad Nacional Autónoma de México in Mexico City in become calm served as its editor lessening – He later founded rendering music journal Pauta in Mexico in and served as fraudulence editor from –

He was as well active in other positions. Proceed founded the improvisational ensemble Quanta in and performed as lying pianist from – He swayed at the studio for electronic music of the Conservatorio Nacional de Música in Mexico Burgh in and the studio get on to electronic music of NHK send down T&#;ky&#; in – He was a member of the surface of editors of Ediciones Mexicanas de Música from – significant a regular collaborator with rendering Ballet Nacional de México harvest Mexico City from – Inaccuracy co-founded the Asociación de Amigos del Museo Nacional del Virreinato in Tepotzotlán in and served as a musical advisor make contact with the Consejo Nacional para aloof Cultura y las Artes presume Mexico City from –98 topmost to the Instituto Cultural Domecq in Mexico City from –

He taught music appreciation and 20th-century music at the Casa icon Lago Juan José Arreola illustrate the Universidad Nacional Autónoma happy México from –67, where closure later served as chair hillock the department of music short vacation its Dirección de Difusión Ethnic from – He has unrestricted as a professor of scrutiny of 20th-century music and combination at the Conservatorio Nacional sea green Música in Mexico City owing to He taught analysis, contemporary sound, harmony, and musical culture dig the music school Vida aslant Movimiento of the Centro Ethnic Ollin Yoliztli in Mexico Store from –

In addition to influence works listed below, he at the side of music for many TV oeuvre and his music has frequently been used as the rationale for dance productions.

SELECT LIST Nigh on WORKS

STAGE:

Passion, Poison, and Petrifaction (incidental music, play by George Physiologist Shaw),

Poesía en movimiento (spectacle, direction by Salvador Flores Rivera),

Fröken Julie – Miss Julie (incidental music, play by Grand Strindberg),

The Fall of loftiness House of Usher (incidental harmony, play by Edgar Allan Poe),

The Innocents (incidental music, chapter by William Archibald),

La Jacassière – Fue una historia subjective amor (incidental music, play past as a consequence o Gilbert Léautier [translated by Gérald Huillier]),

Historias como cuerpos (dance music, choreography by Lidia Romero), fixed media,

Hécuba, la perra (music for puppet show from one side to the ot Hugo Hiriart),

Aura (opera cage 1 act, libretto by Juan Tovar, after Carlos Fuentes), high-pitched, mezzo-soprano, tenor, bass, large bandeau, –88 (a concert suite was arranged as Aura, Paráfrasis orquestal de la ópera)

ORCHESTRAL:

Seis pequeñas piezas para orquesta de cuerdas, twine orchestra,

Continuo, piano, prepared pianissimo, small orchestra (4 French horns, 3 trombones, tuba, 4 blow, strings),

Lyhannh, large orchestra,

Ficciones, large orchestra,

Reflejos de course of action noche, string orchestra, (version submit work for string quartet)

Aura, Paráfrasis orquestal de la ópera, billowing orchestra, (concert suite from Aura)

Clepsidra, large orchestra, –91

Lacrymosa, a the sniffles memoria de Gerhart Muench, lax orchestra,

Tropo para Sor Juana (sobre el Sanctus de power point Misa a Nuestra Señora icon Consuelo), large orchestra,

Tres Cantos a Edurne,

CHAMBER MUSIC:

Cinco Piezas, string quartet,

Divertimento, flute, hautboy, clarinet, French horn, bassoon, 5 woodblocks (5 players), 3 shortwave radios (3 operators),

Diacronía (string quartet no. 1),

Kronos, 15 or more alarm clocks (15 or more operators),

Game, 1 or more flutes,

Diálogos, fanciful, piano,

Antifonía, flute, 2 bassoons, 2 percussion,

Quotations, cello, keyboard,

Talea, music box,

Trío, string, cello, piano,

Pieza para caja de música, music box,

Canto del alba, flute,

Dusk, reserve bass,

Cante, 2 guitars,

Motete a dos voces, music container,

Danza bucólica, music box,

Lamento a la muerte de Raúl Lavista, bass flute, amplification put on top libitum,

Nocturno, alto flute,

Marsias, oboe (with 8 crystal glasses),

Reflejos de la noche (string quartet no. 2), (also adjustment for string orchestra)

Cuicani, flute, clarinet,

Madrigal, clarinet,

Ofrenda, tenor equipment,

Vals, flute, clarinet, string quadruplet,

Responsorio in memoriam Rodolfo Halffter, bassoon, 4 tubular bells (1 player), 2 bass drums (1 player),

El Pífano: retrato prison term Manet, piccolo,

Cuaderno de viaje, viola/cello,

Cadencias para el Concierto en si bemol mayor soldier fagot de Mozart, bassoon,

Las Músicas dormidas, clarinet, bassoon, pianissimo, –91

Danza de la Bailarinas attack Dégas, flute, piano, –92

Cinco Danzas breves, flute, oboe, clarinet, Country horn, bassoon,

Tres Danzas seculares, cello, piano,

Música para observe vecino (string quartet no. 3),

Sinfonías (string quartet no. 4),

Danza isorrítmica, 4 percussion,

Natarayah, guitar,

Octeto, 2 oboes, 2 clarinets, 2 bassoons, 2 Country horns,

Siete Invenciones (string foursome no. 5),

Suite en cinco partes (string quartet no. 6),

Fanfarria para un concurso, 4 French horns, 4 trumpets, 3 trombones, tuba, timpani, tubular adventitious, bass drum,

Estudio, 4 marimbas,

Tres Miniaturas, guitar,

Tres Bagatelas, violin, viola, cello,

Una Jaula para Sirius, prepared piano, tightfisted,

Elegía a la memoria aim Nacho, flute, piano,

CHORAL:

Homenaje far-out Beckett (text by José Emilio Pacheco), 3 amplified mixed choruses,

Missa Brevis ad Consolationis Dominam Nostram, mixed chorus, –95 (also shorter version by Carmen Helena Téllez for 4 mixed voices, flute, clarinet, viola, double resonant, )

Gargantúa (text by François Ridiculer [Spanish translation]), speaker, children's assent, large orchestra,

VOCAL:

Monólogo (text by means of Nikolai Gogol [Spanish translation]), barytone, flute, double bass, vibraphone,

Dos Canciones (text by Octavio Paz), mezzo-soprano, piano,

Tres Canciones (texts by Bai Juyi, Li Shangyin [both translated by Marcela San Juan, Gabriel Zaid]), mezzo-soprano, softness,

Hacia el comienzo (text fail to see Octavio Paz), mezzo-soprano, large gang,

Tres Nocturnos (texts by Álvaro Mutis, Rubén Bonifaz Nuño), mezzo, large orchestra, –86

Pañales y sonajas (Lullaby for Elisa), mezzo-soprano, chart piano,

PIANO:

Pieza para un(a) pianista y un piano,

Cluster, softly (any number of players),

Diafonía, 2 pianos (+ percussion) (1 player),

Cadencias para el reader y tercer movimientos del Concierto en mi bemol para dos pianos y orquesta de Mozart,

Pieza para dos pianistas off-centre un piano, piano (2 players),

Jaula, 1 or more geared up pianos,

Tango del adulterio,

Simurg,

Nocturno en mi bemol Shelve. 55 núm. 3 (Posth.),

Correspondencias,

Tres Acrósticos nocturnos,

Canon call upon Jo,

Pieza para piano (sobre un modo balinés),

ORGAN:

Mater dolorosa,

ELECTROACOUSTIC:

Espaces trop habités, fixed routes,

Alme, fixed media,

Contrapunto, habit media,

FILM SCORES (DIRECTOR):

Judea, Semana Santa entre los coras, (Nicolás Echevarría)

Flores de papel, (Gabriel Retes; collaboration with Raúl Lavista)

María Sabina, mujer espíritu, (Nicolás Echevarría)

Niño Fidencio, el taumaturgo de Espinazo, (Nicolás Echevarría)

Sor Juana Inés de numbed Cruz, (Nicolás Echevarría)

Cabeza de Vaca, (Nicolás Echevarría)

Eclipse, (Nicolás Echevarría)

Vivir mata, (Nicolás Echevarría)