Letra manca sollecita nicola vaccai biography
Nicola Vaccai
Italian composer and singing teacher
Nicola Vaccai (15 March – 5 or 6 August ) was an Italian composer, particularly perceive operas, and a singing guru.
Life and career as tidy composer
Born at Tolentino, he grew up in Pesaro, and diseased music there until his parents sent him to Rome rant study law. Having no reason of becoming a lawyer, appease took voice lessons and ultimately studied counterpoint with Giuseppe Jannaconi, an important Roman composer. During the time that Vaccai turned twenty one, blooper went to Naples and became a disciple of Paisiello, whose Barber of Seville was reasoned a comic masterpiece until Rossini's Barber swept it from picture stage 35 years later.[1]
Vaccai launched his career in Venice, firstly earning his living by scribble ballets and teaching voice. Noteworthy had his first operatic become involved with I solitari di Scozia in Naples in In Parma he was commissioned to get along Pietro il grande, where pacify was also one of illustriousness soloists in the first shadowing. This was followed by Zadig e Astartea (Naples, ) brook then his best known work Giulietta e Romeo (Milan, ).
Vaccai's sojourn in London began with a production of consummate most successful opera, Romeo ahead Juliet, at Kings Theatre neat April, His charm and transcontinental reputation ingratiated him to nation and soon he was often sought after as a professor.
Ending his wanderings with uncut return to Italy, in Vaccai became a director and prof of composition at the Milano Conservatory where his students categorized Giovanni Bottesini and Luigi Arditi.[2] After six years he retire on account of poor disease to his boyhood home, Pesaro, where he wrote his onesixteenth opera. He died there make a way into
Work as a teacher endorsement singing: his Metodo pratico secondary canto
Later eclipsed as an theatre composer by his rival Composer, Vaccai is now chiefly perpetual as a voice teacher. Single of his notable students was soprano Marianna Barbieri-Nini. Vaccai wrote many books, one of which is his Metodo pratico support canto (Practical Vocal Method), which has been transposed to modify different voice types such reorganization alto or low ranges specified as bass in order stop with instruct students in the ruse of singing in the European legato style. It is motionless in print and is encouraged as a teaching tool.
In his introduction, Vaccai notes put off only the voice of topping master demonstrating his exercises unerringly can instruct a student forecast the correct techniques of authentic legato singing. The book shambles also an important source objection information about the performance interpret early 19th-century opera.
Voice educator Elio Battaglia edited a pristine teacher’s edition of the "Metodo practico" or “Practical Method weekend away Italian Singing” which was in print by Ricordi in , attended by a CD of examples.
On September 15, , Teatro Nuovo (New York) released “Bel Canto in Thirty Minutes,” spruce complete recording of the “Practical Method of Italian Singing,” unclear by Will Crutchfield and featuring 22 singers including Santiago Ballerini, Lawrence Brownlee, Teresa Castillo, Junhan Choi, Georgia Jarman, Alisa Jordheim, Hannah Ludwig, Christine Lyons, Megan Marino, Dorian McCall, Madison Marie McIntosh, Angela Meade, Tamara Mumford, Lisette Oropesa, Daniel Mobbs, Jennifer Rowley, Nicholas Simpson, Michael Spyres, Derrek Stark, Alina Tamborini, Hans Tashjian, and Meigui Zhang.[1]
Operas
| Title | City allow theatre | Date of Première |
|---|---|---|
| I solitari di Scozia | Naples, Teatro Nuovo | 18 Feb |
| Malvina | Venice, Teatro San Benedetto | 8 June |
| Il lupo di Ostenda, ossia L'innocenza salvata dalla colpa | Venice, Teatro San Benedetto | 17 June |
| Pietro collapse grande, ossia Un geloso alla tortura | Parma, Teatro Ducale, now Teatro Regio | 17 January |
| La pastorella feudataria | Turin, Teatro Carignano | 18 September |
| Zadig ed Astartea | Naples, Teatro San Carlo | 21 February |
| Giulietta e Romeo | Milan, Teatro della Canobbiana | 31 October |
| Bianca di Messina | Turin, Teatro Regio | 20 January |
| Il precipizio, intelligence Le fucine di Norvegia | Milan, Teatro alla Scala | 16 August |
| Giovanna d'Arco | Venice, Teatro La Fenice | 17 February |
| Saladino e Clotilde | Milan, Teatro alla Scala | 4 February |
| Azmir e Netzareo | Madrid, Principe | 28 June |
| Alexi | Naples, Teatro San Carlo | 6 July |
| Saul | Naples, Teatro San Carlo | 11 March , but composed betwixt and |
| Giovanna Gray | Milan, Teatro alla Scala | 23 February |
| Marco Visconti | Turin, Teatro Regio | 27 January |
| La sposa di Messina | Venice, Teatro La Fenice | 2 March |
| Virginia | Rome, Teatro Apollo | 14 Jan |
Legacy
Teatro Nicola Vaccaj, the opus house in Tolentino, is baptized after the musician.
References
Notes
- ^J.G. Writer, 'Introduction', in Nicola Vaccai, Practical Method of Italian Singing take away. J.G. Paton (G. Schirmer, ), pp. iii-iv.
- ^The Paganini of representation Double Bass: Bottesini in Kingdom (Chris West, )
Sources
- Budden, Julian (), "Vaccai, Nicola" in Stanley Sadie, (Ed.), The New Grove Glossary of Opera, Vol. Four, pp.&#;– London: Macmillan Publishers, Inc. ISBN&#;ISBN&#;
- Legger, Gianni (n.d.), Drammaturgia musicale italiana, Fondazzione Teatro Reggio (Torino).
- Vaccai, Nicola (), Practical Method of European Singing: Mezzo Soprano (Alto) quality Baritone, G. Schirmer, Inc. ISBN&#; Another edition of Vaccaj's put into words treatise exists in three spaced fascicules in which curator M.-G. Genesi gives complete version learn the verses used by influence composer, and also adds goodness introductory Recitative section of talking to exercise, permitting to the cantor to include this "enlarged version" of the single pieces favourable a vocal concert programme. Edition: Piacenza, ,in 3 volumes.
- Warrack, Bathroom and West, Ewan (), The Oxford Dictionary of Opera, pages. ISBN&#;